Long Afteryears

                                        Long Afteryears        They will say then — in those long afteryears When you and I are dead and gone with those Who knew us most — then they, (or some), will say […]

                                        Long Afteryears

 

     They will say then — in those long afteryears

When you and I are dead and gone with those

Who knew us most — then they, (or some), will say

“He just pretended that he had no words

To speak his heart to you, merely to win

Your sympathetic acquiescence to

His overbearing, selfish interests!”.

     And they will say: “Read in his poetry —

And in his letters, (where they have survived) —

How he gave full expression to his thoughts

With unmistakeable effectiveness!.

He had the words, but he preferred to build

A myth of bashful speechlessness, solely to lend

Some pale-faced pathos to his literary art!

 

     But we both knew the truth of it; the rows,

Misunderstandings and despairs, provoked

By my evasive incoherences,

My lack of confidence, the things unsaid

When just a few kind words would have sufficed

To heal the breach, eliminate the doubts,

Explain the problems and avoid the pains.

     I did not choose to be so difficult,

So diffident, so tactless, so remisss

In all the social graces. We  both knew

How hard it was for you to understand

The depths of my concern; and we both knew

The difference between my written words of love

And what my unforced tongue had better said itself!.

 

     When writing poetry and letters, I

Could scrap the faulty phrase, replace weak words,

Polish poor sentences, until they said

Precisely what I wished; no more, no less!.

(What lies un-said may be as vital as

What is!). The long-considered speech

Has not the spontaneity of love,

     However skilful its persuasiveness.

The very art involved demeans its worth

And lends suspicion that it substitutes

Mere sonorous expression for the truth.

So, if I’d had the verbal confidence,

I’d  not had need to write my love for you upon

These silent pages of ambiguous design!.

 

     Immoderate in tone — when pressed to say,

(Without rehearsal), what I really meant —

I much offended you and overwhelmed

With sharp, sarcastic wit and erudite

Allusions, which weren’t the words that either

You or I preferred. The curt remarks, wrong-

Stressed emphases, equivocations, puns

     And verbalised gymnastics that filled my

Afflicted conversation, could not else

But fail to shew conviction when I spoke,

(Under your promptings!), of my love for you.

You could not be expected to believe

Such a conglomeration of inept, inapt

Inelegances which I could not justify!.

 

          So — when they say, in those long afteryears,

“He just pretended that he had no words

To speak his heart to you!” — we two will know

They are mistaken; but they will not sense

How well we understood how much my lack

Of sensitive, spontaneous, assured

Vocal expression brought us such despair,

     Misunderstandings and heart-wringing griefs.

They will not comprehend how my fierce love

Seemed far too dangerous to be released,

In unpremeditated words, to maul

Your sensibilities and wound your trust.

We know I could not tell you how I truly felt —

Except in writing — and that was not good enough!.

Author: J. A. Bosworth

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